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Michael Asher (artist)
Michael Max Asher (July 15, 1943 – October 15, 2012) was a conceptual artist, described by ''The New York Times'' as "among the patron saints of the Conceptual Art phylum known as Institutional Critique, an often esoteric dissection of the assumptions that govern how we perceive art."〔Roberta Smith, (''How Art Is Framed: Exhibition Floor Plans as a Conceptual Medium'' ), March 8, 2008.〕 Rather than designing new art objects, Asher typically altered the existing environment, by repositioning or removing artworks, walls, facades, etc.
Asher was also a highly regarded professor of art, who spent decades on the faculty at California Institute of the Arts. Cited by numerous successful artists as an important influence in their development, Asher's teaching has been described by British journalist Sarah Thornton as his "most influential" work.〔Sarah Thornton. ''Seven Days in the Art World'' New York: WW Norton, 2009. ISBN 978-0-393-33712-9)〕
==Early life and education==
Born in Los Angeles, California, Asher is the son of gallerist Betty Asher and Dr. Leonard Asher.〔(【引用サイトリンク】 title=Oral history interview with Betty M. Asher, 1980 June 30 and 1980 July 7 )〕 He studied at the University of California, Irvine,〔Randy Kennedy (October 17, 2012), (Michael Asher, Titan of Conceptual Art and Teacher, Dies at 69 ) ''New York Times''.〕 where he received his bachelor's degree in fine arts in 1966.〔Jori Finkel (October 17, 2012), (Michael Asher dies at 69; pioneering conceptual artist ) ''Los Angeles Times''.〕
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